Having a dedicated chart for reggae and dancehall is essential for preserving and promoting these genres' unique contributions to global music. Reggae and dancehall have rich histories, rooted in storytelling, social awareness, and cultural pride. A genre-specific chart acknowledges this heritage, allowing artists to gain recognition in a space that celebrates their styles, rhythms, and lyrical themes. Without a dedicated platform, reggae and dancehall risk being overshadowed in mainstream music spaces, where different genres often dominate. By giving reggae and dancehall a dedicated chart, the music industry ensures these genres are appreciated in their own right and given the focus they deserve.
The reggae and dancehall charts also serve as a launching pad for artists who are gaining popularity in these genres, allowing them to break into new markets and reach broader audiences. When fans and music lovers see songs rising on a reggae-dancehall chart, it creates excitement and validation, signaling that these tracks are resonating widely. The chart provides a curated experience, connecting listeners with emerging and established artists who are pushing creative boundaries and staying true to the genre’s roots. This recognition fuels the industry’s growth, encouraging more artists to experiment, collaborate, and bring fresh perspectives to reggae and dancehall.
Moreover, having a dedicated chart empowers the global reggae and dancehall community by fostering a shared identity and cultural exchange. Fans from all over the world can connect through the chart, following the progress of their favorite artists and discovering new voices. This unity strengthens the genre's legacy and allows it to thrive across borders, continually evolving while staying rooted in its origins. A reggae and dancehall chart is more than just a ranking; it’s a tribute to a movement, honoring the artists, producers, and fans who keep reggae and dancehall alive and thriving in today’s music landscape.
Spot |
Artist |
Album Title |
---|---|---|
#1 |
Mortimer | From Within |
#2 |
Imeru Tafari | The Essential |
#3 |
Sizzla | Jah Knows Best |
#4 |
Buju Banton | Born For Greatness |
#5 |
Mykal Rose | I Give You Love |
#6 |
Marcia Griffits | Golden |
#7 |
Groundation | We Free Again |
#8 |
Richie Spice | Black Man Style |
#9 |
Teflon Young King | Fuego King |
#10 |
Perfect | Ah Mi Yard |
Spot |
Artist |
Album Title |
---|---|---|
#1 |
Spice | Mirror 25 |
#2 |
Bugle | Apex |
#3 |
Melekel | Encendedor |
#4 |
Shenseea | Never Gets Late Here |
#5 |
Dexta Dapps | Vent |
#6 |
Byron Messia | No Love |
#7 |
Vybz Kartel | Born Fi This |
#8 |
Rygin King | Therapy |
#9 |
Masicka | 438 |
#10 |
Skeng | Beast of The Era |
Spot |
Artist |
Single's Title |
---|---|---|
#1 |
Luthan Fyah | Save us oh Jah |
#2 |
Marlon Asher & Luciano | Give Praise |
#3 |
Mortimer | Where Would I Be |
#4 |
Eek-A-Mouse | You're My Daughter |
#5 |
Vaughn Benjamin | Love Amongst Brethren |
#6 |
Toledo & Anthony B | Heaven in Your Eyes |
#7 |
Ras Ajai | No Drop u Guard |
#8 |
Macka Diamond | African King |
#9 |
Kirk Diamond | Deh Yah |
#10 |
Imeru Tafari | Anguish |
Spot |
Artist |
Single's Title |
---|---|---|
#1 |
Buju Banton | Progress |
#2 |
Demarco | Pak Choi |
#3 |
Intence | Mondehh 9teenth |
#4 |
Skip Marley | Close |
#5 |
1Byng | Enemiez |
#6 |
Melekel | Ashamed |
#7 |
Beenie Man | Money & Business |
#8 |
Squash | Get up |
#9 |
Masicka | Who Fi Stop We |
#10 |
Ayetian | Anyweh |
The data and information contained herein; "Reggaedancehallcharts.com," reflects the views and opinions of the staff and is intended for the sole purpose of informing the global reggae and dancehall communities, members of the news media, bloggers, vloggers, program directors, music purchasing agents, record outlets and the general public on what we hear is hot and shelling the reggae and dancehall global scene. Our process involves extensive research, public surveys, online voting pools, and multiple social media dynamics.
The charts are updated on a weekly, by-weekly basis or as often as required to reflect the most current state of the genres*
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